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Queen - Queen II album mp3

Queen - Queen II album mp3
Album Rock,Art Rock,Contemporary Pop/Rock,Glam Rock,Hard Rock,Arena Rock
  • Performer:
  • Title:
    Queen II
  • Genre:
  • Style:
    Album Rock,Art Rock,Contemporary Pop/Rock,Glam Rock,Hard Rock,Arena Rock
  • Date of release:
    March 8, 1974
  • Recording date:
    August, 1973
  • Duration:
  • Size FLAC version
    1344 megabytes
  • Size MP3 version
    1494 megabytes
  • Size WMA version
    1536 megabytes
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Queen II is the second studio album by the British rock band Queen. It was released on 8 March 1974 by EMI Records at midnight in the UK and by Elektra Records in the US. It was recorded at Trident Studios and Langham 1 Studios, London, in August 1973 with co-producers Roy Thomas Baker and Robin Geoffrey Cable, and engineered by Mike Stone. Described as "arguably the heaviest Queen album", Queen II marked the end of the first phase of the band's career

Queen is the self-titled debut studio album by the British rock band Queen, released on 13 July 1973 by EMI Records in the UK and by Elektra Records in the US. It was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker, John Anthony and the band members themselves. The album was influenced by heavy metal and progressive rock. The lyrics are based on a variety of topics, including folklore ("My Fairy King") and religion ("Jesus").

About Queen II. Queen recorded their first album during impromptu fits of downtime in London’s Trident studios throughout 1972, completing the album by November 1972. EMI (in the UK) took their time in releasing the album (along with Elektra in the . to the band’s chagrin: Queen finally came out in July 1973.

When the Queen II album came out in 1974, those who heard it were impressed and spiritually uplifted. Queen had arrived in style and Freddie could give up his weekend job and concentrate on the great times that lay ahead. Published on. March 8, 2019. What became Queen II was done and dusted in that hot month. Realising that as songwriters Mercury and May had radically different lyrical agendas – Brian the guitarist preferring a personal or emotional slant, while Freddie the singer liked to operate in realms of the phantasmagorical – it was decided to give the record a loose concept, splitting the material into ‘White’ and ‘Black’ sides to match the light and shade of the songs.

Queen II - Queenpedia. com - A comprehensive Queen Discography, Queen Interviews, Queen History. Everything you need to know about Freddie Mercury, Brian May, Roger Taylor, and John Deacon. The most important thing to me was the Queen II album going into the charts - especially satisfying that, since the first one didn't do so well. It's nice to see some recognition for your work though I don't usually worry too much. Roger tends to worry more about what's happening on that side. Roger Taylor - May 1975, Record Mirror. I hated the title of the second album, Queen II, it was so unimaginative.

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QUEEN II. (P)&(C)1974. 1. One Vision - QUEEN 2. A Kind Of Magic - TAYLOR 3. One Year Of Love - DEACON 4. Pain Is So Close To Pleasure - MERCURY, DEACON 5. Friends Will Be Friends - MERCURY, DEACON 6. Who Wants To Live Forever - MAY 7. Gimme The Prize (Kurgan's Theme) - MAY 8. Don't Lose Your Head - TAYLOR 9. Princess Of The Universe - MERCURY BONUS TRACKS (CD.


Roy Thomas Baker - Castanets, Producer
Robin Geoffrey Cable - Additional Production
John Deacon - Guitar (Acoustic), Guitar (Bass)
Kris Fredriksson - Audio Restoration, Audio Supervisor
Bob Ludwig - Mastering
Brian May - Bells, Composer, Executive Producer, Guitar, Piano, Vocals
Freddie Mercury - Composer, Harpsichord, Piano, Vocals
Queen - Additional Production, Primary Artist, Producer
Mick Rock - Art Direction, Photography
Justin Shirley-Smith - Audio Supervisor
Mike Stone - Engineer
Roger Taylor - Composer, Executive Producer, Percussion, Vocals

Track List

Title/Composer Performer Time
1 Procession Brian May Queen 1:13
2 Father to Son Brian May Queen 6:13
3 White Queen (As It Began) Brian May Queen 4:35
4 Some Day One Day Brian May Queen 4:22
5 The Loser in the End Roger Taylor Queen 4:06
6 Ogre Battle Freddie Mercury Queen 4:08
7 The Fairy Feller's Master-Stroke Freddie Mercury Queen 2:40
8 Nevermore Freddie Mercury Queen 1:18
9 The March of the Black Queen Freddie Mercury Queen 6:32
10 Funny How Love Is Freddie Mercury Queen 2:51
11 Seven Seas of Rhye Freddie Mercury Queen 2:48

Queen II is Queen's most fully realized album, although it is unfortunately overlooked in favor of their more popular, later albums. There is not a weak track on the album, which is divided into a "white" side featuring mostly Brian May tracks, and a "black" side written by Freddy Mercury. The albums songs flow into one another, creating two wonderful suites of songs. The black side sounds like Bohemian Rhapsody extended into a several suite song extended over an entire side. The white side maintains the theme of life during an imaginary feudal Europe where royalty reigns supreme. The thematic exception is the Roger Taylor song "Loser in the End," in which Taylor just wants to rock out - grand themes be damned. Anyone who loves progressive rock will likewise love this album. It certainly belongs in every Queen fan's collection. The only negative thing about it is its unimaginative title.
This is definitely one of the most overlooked albums by queen I guess that what makes it so unique...this is a masterpiece for anyone who is keen on rock music even if they're not queen fans, they will definitely love it
This album keeps calling me back after over 20 years of listening, more so than any other album in the Queen catalogue--and considering how this bunch has awed me over the years that's saying one helluvalot. Its nearly seamless mixture of orchestrally layered grandeur, dreamy harmonies, freaky and hooky riffs (I'm still trying to master "Ogre Battle" and that beautiful solo to "White Queen" on guitar!) and bombastic creative daring haven't been matched by much else that I've ever heard. It was the closest that Queen ever got to fulfilling their early mission statement of "Broadway meets Led Zeppelin". This was an act of creative daring by adventurous musicians in a time before corporate boardrooms took over album production, the weirdness and scale of which would never be put on a record today, especially by fledgling artists.
Probably my favourite Queen album. The "white" side, written by May, is really great and calm, with very melodic songs. There's "The Loser In The End" too, written by Taylor, heavily focused in drums. The "black" side is the deal. It's a big and epic medley that sounds beautiful from the start to the end. Seven Seas of Rhye is probably the most dispensable song from the album, tho.
This is one of the best rock albums ever made. It's just beautiful. From the multitracked intro Procession to the piano arpeggios of Seven Seas of Rhye, this album is heavy as balls while also being very carefully crafted and magnificent in every way. Queen's best album is this one, for sure. We will never get another band or album like this again. Don't cry because it's over; smile because it happened. And then cry tears of joy.
What I love about it is its lack of fear. While it can sometimes get unfocused, the powerfully expressed harmonies keep you in a flow of rock ecstasy. Definitely a highlight of their career.
Queen II is definitely a sequel to their self-titled debut, and it rocks just as hard with a much clearer vision of where they were heading. Divided up into a White side with most tracks written by Brian May and a Black side penned by Freddie Mercury, Queen II has remarkable balance and diversity. May's songs have a sweetness and a nostalgia to its words, while Mercury's are more in line with mystical and magic in all its many forms. The Queen sound is growing all the time, and on this second record, there is something for every fan to enjoy. Key tracks are Some Day One Day, The Loser In The End, and Seven Seas Of Rhye.
The buildup of "Procession" excites me to listen to Queen II for the first time. A year after their self titled Debut, Queen releases Queen II, a highly forgotten album in their catalog, even though it probably has one of the most memorable front album covers of the 70's. This was when Queen was still hard rockers and not the "Radio Gaga" generation of Queen that most people look at them for. "Father and Son" gets louder and louder during the middle of it, then quiets down into a thoughtful tune. As "White Queen (As It Began)" something hits you and you begin to realize the fantasy themes throughout the album and titles of the songs. "The Loser In The End" is a hard rocker sung by Roger Taylor and is one of the more surprising songs on the album when compared to the pretty weak "Some Day One Day" where Brain May does Lead Vocals.Side 2 opens with "Ogre Battle" which is one of their best early achievements which at the start, reverses itself to get to the beginning which is a fantastic feat. The fantasy themes really start boiling up in this one song. The effort that is "The Fairy Feller's Master-Stroke" is inspired by the painting of the same name, but the song feels so all over the place. "Nevermore" though is one of the better songs on the album that makes it worth it with the combo of "The March of The Black Queen"Queen II is one of the more important albums of their career. It introduced their trademark sound that would vastly improve on other songs on later albums. But Queen II, for all it's chess playing, fantasy themed battles that try to get you into the mood, it has not aged well. There is something lacking in most of the lyrics, production and vocals. Still, it's not a terrible listen as it has a few dang good songs on it (Ogre Battle and The March of The Black Queen being my two favorites) and for those looking to see the band's earlier and more significant works, this will be a interesting listen. Oh, and Seven Seas of Rhye is a classic, so don't forget that.3/5
lucky kitten
The start of 1974 saw Queen announced as "Britain's Biggest Unknowns" by Sounds Magazine. Their moderately received, hastily recorded debut album had yet to set the world alight, with journalist Nick Kent describing the collection as "a bucket of urine". Even at this early stage in their career the band were the scourge of the music press, but the touch paper smoldered into an explosion created by two critical albums released during the year, "Queen II" and "Sheer Heart Attack". Rumblings of interest across the Atlantic alerted record label EMI, and the band were afforded the luxury of a month to record their sophomore long player. The extended period certainly suited their collective creativity, and the elaborate vocal and guitar overdubs, heard here for the first time, would become a synonymous trademark. For all the reverence for their spectacular live performances, Queen were equally as adept in the studio, and although there's clearly a sense that this album sees them forging their own identity, there's still some exciting moments that show both experimental and expansive capabilities far beyond many of their glam/rock/pop contemporaries.There's an inadverdant sense of competition formed by the arrangement of the "Queen II" track line up. Brian May's "white" side (interrupted by Roger Taylor's tagged on "Loser In The End"), follows many of the traits of their debut, albeit better produced. His guitar playing is as ever, exaggerated, colossal and anthemic in equal measure. The songs aren't quite as memorable as both his and Taylor's future creations but the detailed multi-tracking and the mixture of traditional hard rock and the Zeppelinesque restrained balladry keeps the entertainment level on target. Whilst May was studiously exhausting the new freedom of his recording environment, Freddie Mercury was joyously basking in its glory. All those conceptual ideas, imaginations and complex musical interpretations that were floating around in his mind were fully realized. His "black" side shows the magnificent harmonies, the operatic obsessions, the bravado and the bombast. "The March Of The Black Queen" is a pre-cursor to "Bohemian Rhapsody", full of choral vocals, seamless segues, it shapes much of his output for the forthcoming years. It's a revelation in that it feels like the foundation for a multitude of Freddie's classics. The album closes with the breakthrough single "Seven Seas Of Rhye" which for all it's roots in hard rock, has the swooping, thrilling immediacy of any great pop single. Queen had stuttered at the start, but the song is a thrilling ride and a perfect example to show that the band had finally arrived, flamboyant, flourishing and full of ambition."Queen II" may not be their greatest collection, but as a statement of intent it may just be as monumental as the band would become in the future. Years of searching for direction, supporting other bands and being largely unheard were over. Welcome to the new rock monarchy.
With a distinct improvement in songcraft and their vision of over-the-top, bombastic hard rock more fully realised than on their debut, Queen hit their stride on their follow-up to their debut. Granted, aside from Seven Seas Of Rhye, there's not much that's comparable to stuff off of Sheer Heart Attack or Night At The Opera, but if you've always leant towards the hard-rocking Queen stuff more than the theatrical pop side, this is the album for you.