» » Schat: Anathema/Canto General/Thema, Op.21/To You

Schat: Anathema/Canto General/Thema, Op.21/To You album mp3

FLAC MP3 WMA
Schat: Anathema/Canto General/Thema, Op.21/To You album mp3
Keyboard,Vocal Music
  • Title:
    Schat: Anathema/Canto General/Thema, Op.21/To You
  • Genre:
  • Style:
    Keyboard,Vocal Music
  • Duration:
    01:13:00
  • Size FLAC version
    1794 megabytes
  • Size MP3 version
    1151 megabytes
  • Size WMA version
    1199 megabytes
  • Rating:
    4.3
  • Votes:
    400
  • Formats:
    MMF VQF AC3 ADX AAC AU

Schat: Anathema/Canto General/Thema, O. 1/To You. Release Date.

Schat: Anathema/Canto General/Thema, O. Donemus 19. CD.

- Schat: Anathema/Canto General/Thema, O. 1/To You MP3 version. 1551 downloads at 24 mb/s. - Schat: Anathema/Canto General/Thema, O. 1/To You FLAC version. 1314 downloads at 25 mb/s. Schat: Anathema/Canto General/Thema, O. 1/To You -. Download Free Schat: Anathema/Canto General/Thema, O. 1/To You - MP3 FLAC. Canto General - Pablo Neruda, Mikis Theodorakis. The New Era - General Malice. Clubb 555 - El General.

Featuring – Gerard Bouwhuis. Featuring – Han de Vries.

To You" is taken from "Out Loud" by Adrian Mitchell. To You" for Voice, Guitars, Keyboardinstruments, Tops and Electronics. Canto General" is taken from "Alturas de Macchu Picchu" by Pablo Neruda. Comes with a shaped multiway Fold Out Cover. Here within are booklets attached.

Peter Schat (1935-2003): Septet, O., for flute, oboe, bass clarinet, horn, cello, piano and percussion (1957). Peter Schat - Anathema, Op. 19 (1969). Peter Ane Schat (5 June 1935, in Utrecht – 3 February 2003, in Amsterdam) was a Dutch composer. Peter Schat added a new photo youtube. January 23, 2016 ·. Canto General (1974). Peter Schat added a new photo to the album: Peter Schat. January 7, 2016 ·. Param Vir, Theo Loevendie, Wim Laman, Peter Schat en Pierre Audi.

Schat studied composition with Kees van Baaren at the Utrecht Conservatoire and the Royal Conservatory of The Hague from 1952 until 1958, and then went on to study in London with Mátyás Seiber in 1959 and with Pierre Boulez in Basle in 1960–61. His early training with van Baaren and Seiber disposed him toward twelve-tone technique, and his earliest compositions, such as the Introductie en adagio in oude stijl (1954) and the Septet (1957), combine traditional forms with dodecaphony.