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Skip Sempe - Canto a mi Caballero: The Tradition of Antonio de Cabezon album mp3

Skip Sempe - Canto a mi Caballero: The Tradition of Antonio de Cabezon album mp3
  • Performer:
    Skip Sempe
  • Title:
    Canto a mi Caballero: The Tradition of Antonio de Cabezon
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  • Date of release:
    September 12, 2000
  • Duration:
  • Size FLAC version
    1476 megabytes
  • Size MP3 version
    1545 megabytes
  • Size WMA version
    1325 megabytes
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Canto a mi Caballero: The Tradition of Antonio de Cabezon.

Antonio de Cabezón was a Spanish Renaissance composer and organist. Cabezón's Obras de música para tecla arpa y vihuela was published in 1578 by his son Hernando. Among its varied contents are teaching pieces for beginners, hymn arrangements, 35 Kyries, 32 Psalm verses, 53 Magnificat verses, 32 fabordones, 12 tientos, 29 glosas of sections from Masses and motets by foreign masters, 10 variation sets (diferencias) on subjects ranging from Spanish folk tunes and French chansons to the Milanese galliard, and 18 glosas of French chansons.

Antonio de Cabezón (1510-1566), Spanish Renaissance composer and organist, the earliest important Spanish composer for the keyboard. He was blind from infancy. Antonio de Cabezón, Antonio Baciero - Obras Completas De Antonio De Cabezon Por Antonio Baciero - Prima Parte ‎(8xLP, Album, Mono). Cabezon, Capriccio Stravagante, Skip Sempé - Canto A Mi Caballero ‎(CD).

Antonio de Cabezón (30 March 1510 – 26 March 1566) was a Spanish Renaissance composer and organist. Blind from childhood, he quickly rose to prominence as a performer and was eventually employed by the royal family. He was among the most important composers of his time and the first major Iberian keyboard composer. Cabezón was born in Castrillo Mota de Judíos, a municipality near Burgos, in the north of Spain. Nothing is known about his formative years

Diferencias sobre "El canto llano del caballero". Cabezón, Antonio de. I-Catalogue NumberI-Cat. No. IAC 7. v'ts/Sec's. 1570 in Obras de musica para tecla, arpa y vihuela. Composer Time PeriodComp.

Antonio de Cabezón - Diferencias sobre el canto del Caballero. For Solo (instrumental or vocal part). Nothing is known about his formative years. He became blind in early childhood, and he may have been educated at the Palencia Cathedral by the organist there, García de Baeza.

Skip Sempé: Memorandum XXI Skip Sempe. Off the Record Rel. October 28, 2013. Cabezón, H. d. Caccini, G. R. Cadéac, P. More.


Emmanuelle Bayet - Engineer
Jay Bernfeld - Editing
Francois Brillet - Digital Editing
Capriccio Stravagante - Ensemble
Olivier Fortin - Editing, Liner Note Translation
Pable Galonce - Liner Note Translation
Karoly Mostis - Tuning
Kate van Orden - Liner Notes
Jacques Sarrat - Photography
Skip Sempe - Editing, Harpsichord, Primary Artist, Text Translation, Virginal
Denis Stevens - Text Translation

Track List

Title/Composer Performer Time
1 Pavana con su glosa Skip Sempe 2:59
2 Diferencias for organ sobre el canto "llano de Cavallero" Skip Sempe 4:27
3 Romanesca (or Guárdame las vacas), for vihuela Skip Sempe 1:58
4 Dezilde Al Cavallero for 5 voices Skip Sempe 3:32
5 Vacas Skip Sempe 1:54
6 Dulce memoriae, for organ Skip Sempe 4:03
7 Paseávase el rey moro Skip Sempe 1:01
8 Signor mio caro, for string consort Skip Sempe 3:51
9 Mille regretz (after Josquin), for vihuela Skip Sempe 2:50
10 Pavana Italiana for harpsichord, "La Gamba" Skip Sempe 2:57
11 Diferencia Sobre "La Gallarda Milanesa" for organ Skip Sempe 2:48
12 Diferencia Sobre "El Canto la Dama le Demenda" for organ Skip Sempe 2:26
13 La Cara Cossa Skip Sempe 0:58
14 Je pres en grey, for keyboard (after Crecquillon or Clemens non Papa) Skip Sempe 2:54
15 Quien llamó al partir partir Skip Sempe 2:10
Recercadas (4) on Sandrin's "Doulce memoire," for treble viol & keyboard
16 Recercada segonda Skip Sempe 2:46
17 Diferencia Sobre "Las Vacas" for harpsichord Skip Sempe 3:23
Missa "Desilde al cavallero" for 4 voices
18 Kyrie - Christie - Kyrie Skip Sempe 2:00
19 Hosanna - Benedictus - Hosanna Skip Sempe 1:59
20 Agnus Dei Skip Sempe 1:15
21 Ancol que col partire, for organ Skip Sempe 3:20
22 Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18 Skip Sempe 2:27