» » Wieland Kuijken / Les Agrémens / Chœur de Chambre de Namur - Johann Christian Bach: Gloria in excelsis a Quattro Concertata con Sinfonia

Wieland Kuijken / Les Agrémens / Chœur de Chambre de Namur - Johann Christian Bach: Gloria in excelsis a Quattro Concertata con Sinfonia album mp3

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Wieland Kuijken / Les Agrémens / Chœur de Chambre de Namur - Johann Christian Bach: Gloria in excelsis a Quattro Concertata con Sinfonia album mp3
Choral
  • Performer:
    Wieland Kuijken / Les Agrémens / Chœur de Chambre de Namur
  • Title:
    Johann Christian Bach: Gloria in excelsis a Quattro Concertata con Sinfonia
  • Genre:
  • Style:
    Choral
  • Date of release:
    January 1, 2003
  • Recording date:
    November, 2001
  • Duration:
    01:00:37
  • Recording location:
    Namur, église Saint-Loup
  • Size FLAC version
    1338 megabytes
  • Size MP3 version
    1846 megabytes
  • Size WMA version
    1725 megabytes
  • Rating:
    4.7
  • Votes:
    119
  • Formats:
    DTS DXD APE VOX RA AHX

Chœur de Chambre de Namur.

Namur, église Saint-Loup. Wieland Kuijken, Les Agrémens, Chœur de Chambre de Namur. Johann Christian Bach: Gloria in excelsis a Quattro Concertata con Sinfonia.

Choeur Fr Chambre De Namur & Les Agremens, Wieland Kuijken. Wieland Kuijken, Chœur de Chambre de Namur, Les Agrémens. The majority of the sacred music of Johann Christian Bach, the youngest of the sons of . Bach, was written during the time that he was organist of Milan Cathedral. This CD includes first recordings of three sections of the Mass, one of these being a large-scale setting of the Gloria in which the music for the solo voices attains an almost operatic quality. The orchestral writing is also particularly brilliant and has already a classical sonority as well as passages in true concertante style. Bach, Johann Christian (1735-82).

Leonardo García Alarcón, Les Agrémens, Chœur de Chambre de Namur Chorus, HMV 63: Disdainful of Danger. Chœur de Chambre de Namur, Guy van Waas, Les Agrémens Le temple de la gloire, RCT 59, Acte II Scène 3: Forlane pour les suivants de Bacchus. Wieland Kuijken, Les agrémens, Chœur de Chambre de Namur Matthäus-Passion, TWV 5:31: Chor "Wehe, Aufruhr, wehe, eilet, helfet !" (play). Wieland Kuijken, Les agrémens, Chœur de Chambre de Namur Matthäus-Passion, TWV 5:31: Aria "en sanften Schlaf".

Couperin: Pieces De V. ieland Kuijken. Couperin;Pieces De Vio. See all 10 albums by Wieland Kuijken. Gloria in G Major: Gratias agimus tibi (Andante). by Les Agrémens, Wieland Kuijken, Barbara Hölzl on . Bach: Gloria (Ricercar in Eco). Gloria in G Major: Gratias agimus tibi (Andante) by Les Agrémens, Wieland Kuijken, Barbara Hölzl on .

Composed By – Johann Christian Bach. Conductor – Uwe Gronostay. Engineer – Herbert Loewe. Title on label: Gloria in G/in G/en sol majeur. Made in . Germany . On back cover: Produktion: RIAS Berlin in Koproduktion mit Schwann, Düsseldorf Aufnahme: 5. -. Printed in German/Imprimé en Allemagne.

Wieland Kuijken, Valérie Gabail, Cécile Eloir, Guy De Mey, Hubert Claessens, Chœur de Chambre de Namur, Olivier Opdebeeck & Les Agrémens - Listen to Wieland Kuijken, Valérie Gabail, Cécile Eloir, Guy De Mey, Hubert Claessens, Chœur de Chambre de Namur, Olivier Opdebeeck & Les Agrémens on Deezer.

A list of works in the composer category that are not included here can be found on this page. Please consult the manual of style for creating composer work lists. W" numbers for works are cited from: Ernest Warburton, Johann Christian Bach. Thematic catalog (New York: Garland Publishing, 1999). 1 – Kyrie in D major (lost). 2 – Kyrie in D major. 3 – Gloria in D major. 4 – Gloria in G major. 5 – Credo in C major. 6 – Invitatorium in F major.

The Choeur de Chambre de Namur (founded 1987) is a choir based in Namur, which is sponsored by the Communauté française de Belgique. Since 2010 the artistic director is Leonardo García Alarcón and conductor of the instrumental ensemble is Guy Van Waas.

Credits

Les Agrémens - Ensemble, Primary Artist
Vincent Antoine - Tenor (Vocal)
Johann Christian Bach - Composer
Silvia Berutti-Ronelt - Liner Note Translation
Danièle Bodson - Soprano (Vocal)
Chœur de Chambre de Namur - Choir/Chorus, Primary Artist
Étienne Debaisieux - Bass (Vocal)
Jacques Dekoninck - Tenor (Vocal)
Philippe Favette - Bass (Vocal)
Élisabeth Goethals - Soprano (Vocal)
Véronique Gosset - Alto (Vocals)
Wieland Kuijken - Conductor, Primary Artist
Jérôme Lejeune - Artistic Director, Editing, Engineer, Liner Notes
Thierry Lequenne - Tenor (Vocal)
Veerle Lindemans - Soprano (Vocal)
Peter Lockwood - Liner Note Translation
Michel Loncin - Tenor (Vocal)
Jean-Marie Marchal - Bass (Vocal)
Koen Meynckens - Bass (Vocal)
Olivier Opdebeeck - Chorus Master
Christine Petit - Alto (Vocals)
Isabelle Poncelet - Soprano (Vocal)
Georg Balthasar Probst - Cover Photo
Laurence Renson - Alto (Vocals)
Vinciane Soille - Alto (Vocals)
Myriam Sosson - Soprano (Vocal)

Track List

Title/Composer Performer Time
Gloria in G major
1 Gloria in excelsis Deo (Allegro di molto) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 5:26
2 Laudamus te (Andante) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 5:12
3 Gratias agimus tibi (Andante) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 4:24
4 Domine Deus (Allegro con spirito) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 4:46
5 Qui tollis peccata mundi, miscrere nobis (Largo) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 8:26
6 Qui tollis peccata mundi, suscipe deprecationem (Andante) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 4:11
7 Qui sedes ad dexteram Patris (Allegro) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 4:47
8 Quoniam tu solus sanctus (A tempo giusto) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 5:10
9 Cum Sancto Spiritu (Allegro) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 2:33
10 Kyrie in d minor Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 5:58
Credo in C major
11 Credo in unum Deum Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 2:23
12 Et incarnatus es (Largo) - Crucifixus (Andante) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 2:55
13 Et resurrexit (Allegro) Johann Christian Bach Les Agrémens / Wieland Kuijken / Chœur de Chambre de Namur 4:26

Maldarbaq
The bulk of Johann Christian Bach's sacred music was written between 1754-1762. That was during his tenure as organist for the Cathedral of Milan.This release features three large-scale Mass movements; a Gloria, Kyrie, and Credo. Bach studied counterpoint with the famed Padre martini, and there's a distinct Italianate influence evident in these works.The Gloria overshadows the other two works in this release. The 45-minute work breaks the text into its component parts.Each part receives its own instrumental introduction. These instrumental sections are in the sinfonia concertante style of the Mannheim School, which makes them very up-to-date.Les Agrémens instrumental ensemble performs with a clean transparent sound of the Italian style. And they also perform with the excitement and energy of the Mannheim School. It's a blend that works and works well.The soloists also serve the music well. I particularly liked the sound of alto Barbara Hölzl's voice. It always seemed to be right in the pocket. And her blend with tenor Lluis Vilamajo was especially satisfying.That's not to slight soprano Valérie Gabail and bass Stephan MacLeod. Regardless of how Bach combined these solo voices, they blended well.Johann Christian Bach or the "London" Bach is primarily remembered for his instrumental compositions. Perhaps these works will help revive the reputation of the "Milan" Bach.