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Thumri & Dadra - Thumri & Dadra Vocal Art of Hindus album mp3

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Thumri & Dadra - Thumri & Dadra Vocal Art of Hindus album mp3
  • Performer:
    Thumri & Dadra
  • Title:
    Thumri & Dadra Vocal Art of Hindus
  • Genre:
  • Date of release:
    April 18, 1995
  • Size FLAC version
    1651 megabytes
  • Size MP3 version
    1523 megabytes
  • Size WMA version
    1792 megabytes
  • Rating:
    4.7
  • Votes:
    673
  • Formats:
    MP2 WAV XM TTA AC3 DTS

Бесплатная загрузка Tum Jaao Jaao Mose Shanti Hiranand Album Expressions Of Love Thumri Dadra Mp3. У нас есть mp3 файлы готов слушать и скачивать. Чтобы начать загрузку вам нужно нажать на кнопка. Мы рекомендуем первую песню под названием Tum Jaao Jaao Mose Shanti Hiranand (Album: Expressions Of Love Thumri & Dadra). mp3 с качеством 320 кбит/с.

1984 The Gramophone Company Of India Limited A member of the EMI Groups of Companies DUM DUM INDIA. Matrix, Runout (Side A runout - stamped): 34183 2YJE1634.

Thumri And Dadra (1990). Thumri And Dadra (1990). Ajoy Chakrabarty/Thumri And Dadra (1990). 1. Shyam Mere Kabalaun Main Rahun Khadi - Thumri.

Nina Burmi sings Thumri Vocal and tabla Indian Classical Music. Duration: 09:55 Bitrate: 320 Kbps. Yaad Piya Ki Aaye Thumri & Das& Classical Song Virsa Show. Duration: 12:27 Bitrate: 320 Kbps. The Best of Thumris Vol 2 Audio Jukebox Vocal Classical Shobha Gurtu Shubha Mudgal. Duration: 01:03:40 Bitrate: 320 Kbps. The Versatile Shubha Mudgal Thumri,Kajri & Baramasa I Audio Jukebox I Classical I Vocal. Duration: 58:22 Bitrate: 320 Kbps. The real Art of singing Thumri (Student &Teacher) yaad piya ki aaye. Duration: 07:40 Bitrate: 320 Kbps.

Thumri - Kajri - Hori - Sawan - Dadra is a Hindi album released on Jun 2008. Thumri - Kajri - Hori - Sawan - Dadra Album has 7 songs sung by Begum Akhtar. Listen to all songs in high quality & download Thumri - Kajri - Hori - Sawan - Dadra songs on Gaana. attr("src", $('. de tp.

Often thumri and dadra compositions are not necessarily restricted to one raag. The melodic elaboration, in particular, allows the vocalist to move from one to another raag, not in an anarchic manner or even to demonstrate an ability to be able to jump from one to another raag, but to use the device as a means to extend the emotional trajectory. Faiyaz Khan does this in the next piece, a dadra set to the six matra Dadra taal. The composition seems to use a blend of raag Tilak Kamod and Manjh Khamaj, but he moves away from the main melodic structure during the elaboration

Credits

Thumri & Dadra - Primary Artist