Community Guidelines. Recorded at the Supraphon Mozarteum and Dejvice studios, Prague, in February and March, 1979. Matrix, Runout (Runout stamped, side A): E 4885/B A T T 9.
Prague Big Band Saxophones: Zdenek Hostek - alto, soprano Jaroslav Solc - alto, flute Svatobor Macak - tenor Rudolf Tichacek - tenor Pavel Komzak - baritone Trumpets: Zdenek Zahalka Ivan Umaceny Michal Gera Jaroslav Machac Trombones: Bohuslav Volf Karel Stiefel Vaclav Salbaba Josef Litos Tuba: Pavel Drancak Keyboards: Michael Kocab Guitar: Zdenek Fiser Bass and bass guitar: Ondrej Soukup Drums: Ladislav Malina Percussion: Ales Benda Guest performers: Jiri. Milan Svoboda founded his first jazz big band during his studies at the Prague Conservatory in 1974. The ensemble was called The Prague Big Band and quickly made its name among the best Czech jazz groups and gained renown abroad as well. In the beginning the Orchestra drew inspiration from the big bands of Thad Jones/Mel Lewis, Buddy Rich and Don Ellis.
See My Friends is a studio album released by Ray Davies with the collaboration of various other artists on 1 November 2010 in Europe and in early 2011 in the US. The album features new studio collaborations of Ray Davies' compositions, which were originally recorded by his band The Kinks. The album was recorded in Oslo, New York City, New Jersey, Chicago and London.
A group for people who love big band music. Discussions (2) Sheet music (156) Members (132).
Music Band and Friends feat. Passion Fruit Boys, Jordan Jensen & Laura Peek. March 25, 2018 ·. we booked a show on april 19 to celebrate a lot of things. first of all, saturn is going full supergrade for the next 5 weeks, combined with in its 3rd semester. on top of that, this night we'll see arcturus 45 degrees twain the 4th house of zion.
Big band music" as a concept for music fans is identified most with the swing era, although there were large, jazz-oriented dance bands before the swing era of the 1930s and '40s, and large jazz-oriented concert bands after the swing era. Classification difficulties occur when stores shelve recordings by all large jazz ensembles as though it were a single style, despite the shifting harmonic and rhythmic approaches employed by new ensembles of similar instrumentation that have formed since the swing era. By lumping the music of all large jazz bands together, marketers overlook.